Upon viewing Peter Anton’s wall-mounted sculptures of chocolate box interiors at Art Miami, provenance of both and Amsterdam’s Gallery Delaive and Palm Beach’s Arcature Fine Art, it’s hard not to see the pieces as somehow representative of the fair overall — offering a variety of patterns and colors, some pristinely lacquered, some partially consumed, at once appetizing and intimidating in their larger-than-life quality. With over 200 exhibitors and 1,875 artists packed into its massive Wynwood tent through Sunday, Art Miami is its largest yet for its 25th edition — the silver year — and indeed, there are plenty of silver works to be had, or at least plenty of shiny ones (see: the face-off between K. Gretchen Greene’s hole-riddled palimpsests of welded steel at Todd Merrill Studio Contemporary and Norman Mooney’s four-leaf-clover-shaped cascade of violet polished steel at Waterhouse & Dodd).
Source: www.blogs.artinfo.com
